The Unnaturalists

  Contents

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  Chapter 16

  Chapter 17

  Chapter 18

  Chapter 19

  Chapter 20

  Chapter 21

  Chapter 22

  Chapter 23

  Chapter 24

  Chapter 25

  Chapter 26

  Chapter 27

  Chapter 28

  Author’s Note

  Acknowledgments

  About Tiffany Trent

  To Tricia Scott, the Queen of Art

  “As the voice of Science increases in strength, the horns of Elfland blow ever fainter and fainter. . . .”

  —ELIZABETH ROBINS PENNELL

  CHAPTER 1

  The Sphinx stares at me from her plinth. I edge closer, daring her to open her mouth and enspell me with her riddles. She crouches, eyes a-glitter, teeth gleaming through parted lips.

  But she never moves.

  She can’t, trapped as she is by the paralytic field that holds her suspended. Once, the Museum of Unnatural History stuffed specimens of the Greater Unnaturals instead of presenting them like this. There are a few of them still in odd corners of the Museum, but they never fare well. Most have crumbled into dust. Decades ago, the paralytic field was developed by a Pedant working for the Raven Guard, and we use it to hold the larger specimens we otherwise couldn’t. Only the Lesser Unnaturals—sylphids and the like—are stuffed and mounted now, and I do most of that work.

  Which means, basically, that the Sphinx crouching just beyond the pulsing blue light is alive, even if she can’t move. I’m certain she would eat me if she could.

  I like leaning in toward the field, tempting her, tempting Fate. (Though the saints know a devotee of the Church of Science and Technology should not even think of temptations or Fate). I like the way the etheric energy buzzes and tingles just at the edge of my skin.

  A patron—some dowdy woman with a whimpering babe in a perambulator—makes disapproving noises. I lean closer to the field, so close the energy leaks into my nose and the corners of my eyes. I look over at the woman and grin while my hair crackles.

  We used to do this with the little kobold on display at Miss Marmalade’s Seminary for Young Ladies of Quality. None of the other girls thought anything of it, until I told Effie Lindler how to trip the field.

  I didn’t think she’d do it, of course! But when she did, it was quite possibly the best day of all my sixteen years.

  The kobold wreaked havoc, cursing Miss Marmalade with the Malodorous Slime and turning Effie into a cow. For some reason, he left me unharmed, even giving me a slight nod as he leaped from the dance hall window. I don’t know if the kobold was ever caught, but the upshot was that Father and some junior Pedants were called in to clean up the mess, I was expelled, and I’ve been here in the Museum working for Father ever since.

  That was almost a year ago. I’m very nearly seventeen now, and those days of fun are over. Besides, this field is much stronger than that at Miss Marmalade’s. One would have to be as powerful as a witch or warlock to trip it, much less survive trying. Since all magic (except that sanctioned by the Empress) is heresy, there’s nothing to worry about there.

  But I can’t resist teasing this woman just a bit more. I spread my arms as if hugging the wall of energy to me. She gasps. The needling oddness hovers at my fingertips.

  Then, the unthinkable happens.

  Someone pushes me hard in the back and I pitch forward.

  The woman’s scream follows me through the pulsing curtain. The etheric energy zips across my eyelids, my wrists, slithering down my stockings into my boots. I am suspended in the crackling field for several seconds before my palms and knees hit the floor.

  I breathe slowly, afraid I’m nothing more than a cinder. But cinders don’t breathe. Nor do they think. It’s impossible, though, that I’m still alive. I should be burned to a crisp.

  The field is down. Somehow, I’ve tripped it, though that, too, should be impossible.

  The Sphinx’s claws splay before me, five perfectly curved scimitars. One lifts and ticks against the marble plinth as the beast stretches her toes.

  I may not be alive for long. Lucky for the screaming woman that she’s managed to faint dead away.

  I probably should recite Saint Darwin’s Litany of Evolution now, but the words of my patron saint escape me. Something about all of us being tiny twigs on one small branch on the Tree of Life, et cetera, et cetera. I can’t remember. Terror dissolves whatever words lurk on my tongue.

  I hear a sound, as of a thousand buzzing bees. The sound might almost make words, except that I know Unnaturals cannot truly talk. Oh, there are stories, of course—the Riddle of the Sphinx, for example—but it’s been definitively proven by our Scientists and Pedants that Unnaturals are dumb, irrational creatures. Like dogs or horses, only perhaps a bit more cunning and certainly more deadly. Because they have magic.

  “Be still!” someone shouts through the sudden silence.

  I’m trying to place the owner of the voice—someone male and educated. And youthful.

  “And do not look into her eyes,” he says, coming closer.

  I search my memory as to why I shouldn’t look into the face of the Sphinx—isn’t it the Basilisk one is supposed to avoid?—but that information is as inaccessible as the Litany. So I don’t look up. I look aside at the owner of the voice instead. He wears the teaching robes of a Pedant, though he isn’t wearing a wig. He’s so young that I check to make sure he isn’t wearing Scholar robes. But no. He has the braid on the collar and the long, colorful tassels, even if his garment looks a bit ragged.

  He isn’t particularly handsome. Something about his face looks wrong, but I can’t tell if that’s because I’ve been nearly blinded by falling through the field or . . . It’s as though he’s blurred at the edges. I blink, trying to place his shifting features as he signals to two Scholars to remove the petrified woman and her babe. I know every Pedant here, but I have no idea who he is.

  He crouches at the burn line that used to be the edge of the field. He holds out a hand, his easy smile betrayed by the concern in his eyes. For one second, I think I see his face clearly, like sun breaking through cloud, but then he speaks.

  “Come to me slowly.”

  I focus on his eyes, blue beyond all Logic. I am terribly annoyed that I’ve even noticed the color of his eyes. I turn from him, trying to stand on my own. The Sphinx’s gaze catches mine. And then I’m frozen, unable to feel my cramped toes in my too-small boots anymore.

  The buzzing grows louder, almost intolerable. The Sphinx is so close I can smell her breath—metallic and dry as an iron desert.

  The Pedant whispers something I can’t hear, pulling me by the wrist and thrusting me behind him. He steps between me and the Sphinx, breaking her hold. The buzzing seems to migrate from my ears into my limbs.

  The Sphinx turns, intent on this Pedant who has placed himself literally in the jaws of Death to save me.

  I take two more trembling steps backward, but I can’t look away from the Sphinx and the new Pedant. A strange glow, like the faintest of fields, dances across the man’s fingertips. All sound drains away. It’s as though we three are indelibly etched on the air of the hall—girl, man, and monster—and everything around us has faded into ghosts and shadows. The Pedant retreats slowly so that the burn line is between
his scuffed boots and the Sphinx’s claws.

  “Raise the field!” someone cries. The silence shatters and there’s movement in the alcove where the rusty field box hangs. The switch is thrown and the blue wall rises between the Pedant and the Sphinx, trapping the Unnatural again just before she can leap.

  The young Pedant approaches me, and I try to stop gaping, to breathe through my nose again. The crowd surges closer, except for the woman I teased who pushes her baby out of the Grand Hall as quickly as possible. I’m acutely aware that I’m not wearing gloves, that my laboratory apron is stained, and that my hair is probably a sizzling halo around my head from contact with the paralytic field.

  “My apologies, miss, for my rough treatment,” the Pedant says. There’s a glint of humor in his eyes that I mislike. “Do you require further assistance?”

  I draw myself up and look him fully in the face. “I thank you, sir, for aiding me”—I cannot bear to use the word “rescue”—“but I require nothing further at present.”

  There are gasps from the crowd. I suppose I’ve insulted him, but there’s something about his manner that’s far too familiar for my liking. Much as Aunt Minta and Father might want me to think differently, I prefer the life of a Scientist, working here at the Museum with Father. It is my most cherished, most secret dream to be the first female Pedant—well, the first in several generations—and no man will overshadow that.

  He has the nerve to smile, an infuriatingly charming smile. “Very well, then. Until we meet again, I advise you to be more careful where you step, Miss . . . ?”

  “Nyx,” I say. His eyes widen as he realizes whose daughter I must be. I will not give him leave to be even more familiar, and I do not ask his name in return.

  “Miss Nyx.” He bows just as Father arrives, pushing through the crowd.

  “Vespa!”

  Father takes my hands in his gloved ones. He’s wearing his traveling coat and has replaced his teaching wig with a traveling wig and tricorn. I would ask him where he’s going, but my teeth are suddenly chattering so much that I can’t form words.

  “I am grateful to you, Pedant Lumin.” Father says. His gaze is filled with concern, but his flat tone surprises me. He dislikes this new Pedant even more than I do. Why?

  Etheric energy from the field courses through me, unbalancing my humors, jarring my nerves. I grip Father’s hands tighter to stop my fingers from trembling. I try to assess the new Pedant covertly while he and Father make small talk. The glow I saw has faded from him; I’m not sure it was ever there. Perhaps it was a trick of the dim light that sometimes filters in through the skylights. I shake my head. My wits must be addled by the power of the field and the dangerous magic of the Sphinx.

  “I’m afraid we must be off,” Father says, nodding so sharply that his tricorn almost slides off. He releases my hand to right the hat before it can do so. The pressure of his fingers tells me we will speak of this incident later.

  Pedant Lumin’s gaze lingers on me. I meet it with raised chin, clamping my lips shut to hide my teeth chattering, as he says, “And I, as well; it would be impolitic, I think, to be late for my first lecture.”

  “Indeed,” Father says. His storm cloud brows descend. I am reminded that, doddering as he may sometimes seem to me, Father is still the Head of this Museum. Pedant Lumin is very aware of this as well, for he bows and hurries off, his considering glance flitting across me one more time as he passes.

  I look up and see Father’s odious assistant Charles moving toward us through the crowd. He’s carrying a giant, iron-sealed trunk. I have no idea how he lifts it with his spidery arms and legs. Utter loathing for Charles replaces my irritation at Pedant Lumin’s familiar manner. His dull eyes meet mine—his regard is akin to having a chamber pot poured over one’s head.

  “Are you well?” Father says. His fingers relax somewhat.

  I nod at him.

  “Vee, I thought we came to an understanding after the incident at the Seminary.”

  “Father . . .” I do not wish to discuss this in front of Charles.

  I use every bit of Logic and Rationality I possess. I must remain calm. He will never believe me otherwise, even though this time I’m telling the truth. “Father, I promise I didn’t trip the field intentionally. I was pushed.”

  Father frowns. “By whom?”

  “I don’t know. I didn’t see. But somebody had to have done it. I couldn’t have just fallen on my own.”

  “Mm-hm,” Father says. He releases my hand.

  “What’s this, Miss Nyx?” Charles asks, obviously trying to pretend the strongbox isn’t nearly tearing his arms from his sockets. His last name—Waddingly—suits him very well. He has a waddish soul, like a lump of something one can’t shake off one’s boot. I secretly call him The Wad.

  The trunk emits waves of dark energy. It’s not just nulled to mask the magic of whatever is inside; it’s nevered. A nevered object has such negative power that it has the potential to burn souls, so Aunt Minta says. I don’t know how Charles is holding it without pain, except that I’m fairly certain he has no soul anyway. I can’t bear to get near it. Not that I’d want to be near The Wad anyway.

  “Did you not hear the commotion as you came in, Charles?” Father says. “Vee very nearly set the Sphinx free in the Great Hall. She says that someone pushed her through the field.” Charles looks around, as if both relishing the mayhem that might have ensued and regretting that he missed it.

  “You could have died, Miss Nyx.” I can’t tell whether he’s disappointed or incredulous that I didn’t. To Father, he says, “Everything is in readiness, sir. The carriage awaits.”

  Father nods, but his dark eyes are trained on me. “I’m afraid you’ll have to come with us, Vee. I’m worried about leaving you alone after such an encounter. Thank Saint Newton you survived it!”

  “But, Father . . .” I begin. The trembling starts anew. I’m not sure I can manage the delicate work required to mount the new sylphs in their cases in my present condition, anyway. I allow him to escort me from the Museum by the elbow while Charles leads the way with his infernal trunk.

  My fancies must be getting the better of me, for I’d almost swear the trapped Sphinx’s grin widens as I pass her.

  CHAPTER 2

  Syrus Reed sat by the wheel of his clan’s rusting train car, cleaning an old music box he’d found in the City refuse pile. It was an antique, something that worked under its own power, rather than the mysterious myth-power of the Refineries. If he cleaned and replaced the missing parts, he was sure he could get the music box working again. Chickenfeet stew bubbled above the nearby cookfire, setting his mouth to watering. He hoped it would be time to eat sooner rather than later, but he didn’t dare steal a stewed foot for himself for fear of a sharp rap from Granny’s cooking spoon. Somehow, Granny always knew what he’d done no matter how he tried to hide it.

  Inside the decaying passenger car, Granny tended to the fussy new baby just brought in from the roadside. The New Londoners abandoned any child who resembled a Tinker or had been born under odd circumstances—children whose laughter moved toys through the air or whose cries caused little rain clouds to form inside the City-dwellers’ lush townhouses before their talents could be squelched by nullwards. Anything that stank of illegal magic was left outside the City gates. Syrus wasn’t sure who would ultimately take the baby—he knew his Uncle Gen and Aunt Jaya had asked for another child whenever one became available.

  Syrus sang a charm-song in the sacred language of their people. It was low and soft and sad, but it carried the sound of another world that Syrus could just barely envision through the train car’s open windows. High mountains, tall forests in which strange animals moved through the mists, and glacial plains where flowers bright as stars nodded. A world lost to his people now, but so rich in memory and song.

  The baby quieted at last.

  Syrus half-smiled. Of all the clan members in Tinkerville, he still had the strongest touch of the old ways. W
hen he sang, even the shyest of Elementals drew near. He could speak to and understand them better than anyone, and he alone was bonded to one of them—the hob Truffler—as all Tinkers had once been bonded to Elementals of old. Such understanding was a dangerous talent that was best kept hidden, especially from the brooding New Londoners who sometimes took it into their heads to Cull the trainyard for new workers for their Refineries. In the last Cull twelve years ago, they’d taken Syrus’s parents. He had been barely two, and their faces were a distant memory to him, kept alive only by Granny’s tales. They had been victims, like every Tinker, of the Cityfolks’ fear and greed.

  If the New Londoners discovered one thimbleful of talent among any of the clans, they stamped it out as quickly as you’d behead a poisonous snake. Even though the talents weren’t exactly the same as the magic they so dreaded and feared, even though they most often faded once the Tinkers reached adulthood, the Cityfolk were terrified of the Tinkers who were gifted with them. Granny said that the reason Tinker talents never developed anymore into full-blown magic was because of the disease in the land. Until that was healed, the talents would continue to flicker like candles about to go out. Still, the Tinkers refused to give up teaching their children the sacred language or the old ways, even if they never spoke it aloud where a New Londoner could hear.

  Syrus often wished his talent was more useful for something besides speaking to Elementals. If he had real magic, what he would do with it! He imagined tearing down the Refinery and freeing the parents he’d barely known, if they were still alive. Tearing down the walls of the City, even. He imagined the white fires of magic burning through the Refinery smog and the Empress’s Tower opening like a dark flower to the light. . . .

  A small, hairy hand pinched his arm. Truffler glared at him. “Such bad thoughts,” he said.

  “C’mon,” Syrus said, “don’t tell me you wouldn’t bring the City down if your people could!”

  Truffler shook his head. He was hairy all over except for his startlingly bald crown. He came only to about Syrus’s chest, so it was always hard for the boy not to think of him as an odd little child, even though he knew Truffler was older than anything he could imagine. Like most of the Lesser Elementals—trolls, kobolds, hobs—Truffler found mortal speech difficult and spoke in halting phrases.